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Alan Kippax : ウィキペディア英語版
Alan Kippax

Alan Falconer Kippax (25 May 1897 – 5 September 1972) was a cricketer for New South Wales (NSW) and Australia. Regarded as one of the great stylists of Australian cricket during the era between the two World Wars, Kippax overcame a late start to Test cricket to become a regular in the Australian team between the 1928–29 and 1932–33 seasons. A middle-order batsman, he toured England twice, and at domestic level was a prolific scorer and a highly considered leader of NSW for eight years. To an extent, his Test figures did not correspond with his great success for NSW and he is best remembered for a performance in domestic cricket—a world record last wicket partnership, set during a Sheffield Shield match in 1928–29. His career was curtailed by the controversial ''Bodyline'' tactics employed by England on their 1932–33 tour of Australia; Kippax wrote a book denouncing the tactics after the series concluded.
Kippax was an "impeccably correct and elegant batsman, () an upright, easy stance at the wicket; like his schoolboy idol Victor Trumper, he rolled his sleeves between wrist and elbow and excelled with the late cut",〔Andrews (1983), pp 606–07.〕 who was probably at his peak during the 1920s.〔(【引用サイトリンク】 publisher =cricinfom.com )〕 His omission from the 1926 team to tour England caused great controversy at the time—especially as he hit a brilliant 271 not out against Victoria on the eve of selection. Kippax was well into his thirties by the time he became a consistent selection for the Test team. Highly regarded by both fellow players and spectators, Kippax's innings of 83 in the Lord's Test of 1930 induced Neville Cardus to comment that, "he pleased the eye of the connoisseur all the time."〔Cashman et al. (1996), pp 290–91.〕
==Early years==
The third son of Arthur Percival Howell Kippax and his wife Sophie Estelle (née Craigie), Alan Kippax was born in the inner-city Sydney suburb of Paddington.〔 He attended both Bondi and Cleveland Street Public schools. At 14, Kippax joined Waverley (now Eastern Suburbs Cricket Club) and was a regular in the first-grade team within three years. At this stage, first-class cricket was suspended because of World War I, but when competition resumed in the 1918–19 season he made his debut for New South Wales (NSW). However, the state possessed a lot of batting talent, which was supplemented by the return to Australia of the Australian Imperial Forces cricket team that played in England after the armistice.〔 Therefore, Kippax’s opportunities were restricted for a number of seasons. He also played a lot of baseball with the Waverley Baseball Club (usually at third base) and represented Australia against touring teams from American universities.〔
Kippax’s cricketing potential did not go completely unnoticed. He was offered a tour of New Zealand in the autumn of 1921. Playing in an Australian second team captained by the Test batsman Vernon Ransford, he made only two half-centuries in nine innings.〔Pollard, p 280.〕 In the 1922–23 season, Kippax became a regular for NSW, scoring 631 runs at 90.14.〔(【引用サイトリンク】 publisher =cricinfom.com )〕 and led the side's first-class averages. The next season he hit 248 in only 316 minutes against South Australia at the Sydney Cricket Ground (SCG), then toured New Zealand with the NSW team skippered by Charlie Macartney. Kippax made two centuries in his 461 runs (average 92.2) on the tour.〔Pollard (1995), p 196.〕
He quickly won the respect of his fellow players and the spectators for his approach to the game. Alan McGilvray describes Kippax's demeanour and presence on the field:
... meticulous in his dress and his life, a man with a squeaky-clean image who would never raise his voice or allow his emotions to run away with him ... His shirt would always be buttoned the same way, the crease would always be sharp in his trousers, no hair would ever be out of place. He was an admirable engaging man.〔McGilvray (1985), p 43.〕

Journalists employed many superlatives to describe the Kippax style. Ray Robinson thought that Kippax's batting "had a silky quality not seen in any other player of his time or since"; he captivated the crowds with his late cut when he, "made a lissom bow over the ball and stroked it away with the bat's face downward, as if to squeeze the ball into the ground". His favourite hook shot propelled the ball "with such unhurried ease that the punishing power of the stroke was revealed only in the way the ball smacked against the fence." Donald Bradman believed him to be the best exponent of the hook shot in the game.〔Robinson (1985), p 53.〕

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